Article by: Jason Robey Featured Image Cred: Rolling Stone Alaskan indie-rock band, Portugal. The Man, hold nothing back on their ambitious new album, Woodstock. Their eighth full-length studio album, their first since Evil Friends four years ago, treads heavily into experimental, psychedelic ground on each of the ten songs, while always returning
ALBUM REVIEWS
Album Review: 311 – Mosaic
Article by: Brian Toglia After nearly 30 years of music, 311 seemed to have only scratched the surface of their musical creativity Mosaic: (Adjective) composed of a combination of diverse elements. The definition of mosaic perfectly describes 311 as a band as well as the composition of their new album. The band has
Album Review: The Nearly Deads – Revenge of The Nearly Deads
Album Review: Dishwalla – Juniper Road
Album Review: Frank Carter & The Rattlesnakes – Modern Ruin
Article by: Landon Entwistle Modern Ruin, the second installment of Frank Carter & The Rattlesnakes, hit the shelves on January 20, 2017. This record shows not only the progression as a band, but the evolution of former Gallows frontman Frank Carter, from the screams of hardcore to a more complete range
Album Review: Mexican Dubwiser – Border Frequency
Album Review: Mastodon – Emperor of Sand
Article by: Steven Principato Progressive rock never really died, it simply got meaner with the times. Occasionally, it even dresses up like a metal band. In presumption of some higher obligation to continue their 17 year reign as one of humanity’s last bastions in popular progressive rock, Mastodon bestows upon us
Album Review: The Feelies – In Between
Article By: Matt Guevara Much to the surprise of fans, mellow Jersey indie rock band, The Feelies, are back after a 17 year hiatus. And, although they have been mostly inactive since their famous performance opening for Sonic Youth at Battery Park back in 2008, they recently announced the release of
Album Review: Satan Takes A Holiday – Aliens
Article by: Steven Principato Hardly sparing us a subtle or gradual introduction to their fourth studio release, titled simply Aliens, Satan Takes A Holiday tosses the a cinder block through the listener’s windshield judging only by the heavy-handed ferocity of their opening track “Good Cop, Bad Cop." Obviously taking no holidays of
Album Review: Nick Nash – Fear of Perdition
Article by: Bylle Breaux Twenty something singer/songwriter, Nick Nash, tip-toes surreptitiously onto the Americana scene like a “Wolf in the Wheat,” which is also the title of one of his songs on his new E.P., “Fear of Perdition.” Now living in Nashville and more than halfway through a law degree from